At the same time , this attitude - signaled in the usefully ambiguous form of the image - coexists and interferes with ... such as Filarete's and Decembrio's , as well as in the use of words and images to articulate studiolo space .
More Books:
Language: en
Pages: 216
Pages: 216
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic,
Language: en
Pages: 208
Pages: 208
From the moment that Marie von Sivers met Rudolf Steiner in 1902, their relationship became key to the development of Anthroposophy. Marie Steiner's immense contribution is well known in the fields of eurythmy, speech, and the arts, as well as in her management and publication of Steiner's literary estate--indeed, she
Language: en
Pages: 400
Pages: 400
Federico Fellini’s distinct style delighted generations of film viewers and inspired filmmakers and artists around the world. In Fellini’s Films and Commercials: From Postwar to Postmodern, renowned Fellini scholar Frank Burke presents a film-by-film analysis of the famed director’s cinematic output from a theoretical perspective. The book explores Fellini’s movement
Language: en
Pages: 792
Pages: 792
This long-awaited, magisterial study-an unparalleled blend of philosophy, poetry, and philology-draws on theories of sexuality, phenomenology, comparative religion, philological writings on Kabbalah, Russian formalism, Wittgenstein, Rosenzweig, William Blake, and the very physics of the time-space continuum to establish what will surely be a highwater mark in work on Kabbalah. Not
Language: en
Pages: 402
Pages: 402
The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.