Juan Bermudo

IFA MAN 'Swritings betray his character, Bermudo had an unusual passion for accuracy. ... 1 of the 1549or 1555 Declaración de instrumentos are taken from Angel Ortega's neglected précis, “Fray Juan Bermudo,” Archivo IberoAmericano, ...

Juan Bermudo

BERMUDO alone of the many Spanish theorists and composers of the 16th century seems to have written anything specifically for New World use. All the more fitting is it, then, to have completed this monograph in a part of the Spanish Indies that was stirring every Andalusian's imagination during the days when he was first sending his books across the Atlantic. In every way his was a remarkable personality. He was the first to compose and publish any organ music in Spain. As if the publication of such music in staff-notation were not enough he also published the first Spanish keyboard piece in tablature. He was the first in Spain to print any music in score. He is cited by Pincherle as the first to publish a harp method anywhere. He pioneered with the first treatise specifically designed for female use. He also "enjoys" the distinction of having become in Tapia's Verge! de Musica (1570) the most ruthlessly plagiarized writer in Spanish musical history. If bulk determines preeminence he stands above even Tomas de Santa Maria - who published only one volume, and that containing considerably less text. If range of interests determines rank no one else writing in Spanish during his century even approaches him. Nor does anyone else in Spanish have so many authorities at his fingertips.

More Books:

Juan Bermudo
Language: en
Pages: 97
Authors: R. Stevenson
Categories: Music
Type: BOOK - Published: 2012-12-06 - Publisher: Springer Science & Business Media

BERMUDO alone of the many Spanish theorists and composers of the 16th century seems to have written anything specifically for New World use. All the more fitting is it, then, to have completed this monograph in a part of the Spanish Indies that was stirring every Andalusian's imagination during the
Heinrich Schenker
Language: en
Pages: 922
Authors: R. Stevenson
Categories: Music
Type: BOOK - Published: 1978 - Publisher: Pendragon Press

Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions
Music Education in the Middle Ages and the Renaissance
Language: en
Pages: 424
Authors: Susan Forscher Weiss, Russell E. Murray, Jr., Cynthia J. Cyrus
Categories: Music
Type: BOOK - Published: 2010-07-16 - Publisher: Indiana University Press

What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church --
Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's Declaracion de Instrumentos Musicales (1555)
Language: en
Pages: 231
Authors: Maria Therese Annoni
Categories: Musical temperament
Type: BOOK - Published: 1989 - Publisher:

Books about Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's Declaracion de Instrumentos Musicales (1555)
The History of Keyboard Music to 1700
Language: en
Pages: 878
Authors: Willi Apel
Categories: Music
Type: BOOK - Published: 1997 - Publisher: Indiana University Press

This classic work has served a generation of pianists, organists, and harpsichordists and remains a necessity for every serious keyboard musician today. It is a detailed chronological survey from the 14th century to the end of the 17th. Beginning with the earliest sources, Professor Apel examines national styles and individual