IFA MAN 'Swritings betray his character, Bermudo had an unusual passion for accuracy. ... 1 of the 1549or 1555 Declaración de instrumentos are taken from Angel Ortega's neglected précis, “Fray Juan Bermudo,” Archivo IberoAmericano, ...
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Language: en
Pages: 97
Pages: 97
BERMUDO alone of the many Spanish theorists and composers of the 16th century seems to have written anything specifically for New World use. All the more fitting is it, then, to have completed this monograph in a part of the Spanish Indies that was stirring every Andalusian's imagination during the
Language: en
Pages: 922
Pages: 922
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions
Language: en
Pages: 424
Pages: 424
What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church --
Language: en
Pages: 231
Pages: 231
Books about Tuning, Temperament and Pedagogy for the Vihuela in Juan Bermudo's Declaracion de Instrumentos Musicales (1555)
Language: en
Pages: 878
Pages: 878
This classic work has served a generation of pianists, organists, and harpsichordists and remains a necessity for every serious keyboard musician today. It is a detailed chronological survey from the 14th century to the end of the 17th. Beginning with the earliest sources, Professor Apel examines national styles and individual